I was in my local post office here in Fondi a few days ago, waiting to pay an overdue bill. In the past this would have meant trying to guess which queue contained the fewest problem cases, ususally pensioners or people trying to send sums of money to places the PO clerk can’t spell, or has never heard of, and has to check with a colleague, who’s similarly challenged. But they’ve introduced a number system now and installed some rows of wooden chairs with a rather Scandinavian feel to them, strung along a blue metal bar like Alvar Aalto-designed birds, though the older women are wary of sitting on them and still regard the notion of respecting numerical order as a fundamentally flawed way of doing things. So there’s always a free seat, hwoever busy the place is. I usually take a book and try to get some reading done. This time I had a water bill to pay and a novel by Nigel Balchin called The Fall of the Sparrow, in the 1957 Companion Book Club edition, still with a leaflet inside describing the next books to be published – Hammond Innes and Nancy Spain. I bought it because I’d read – and enjoyed – the same author’s The Small Back Room a couple of years ago and because I’d opened the book on a scene with an evidently gay character, and wanted to see how the book dealt with the issue. I was four when it was published, fourteen when homosexuality was made, restrictively, legal. the title refers to the verse from Mathew: Are not two sparrows sold for a farthing? and one of them shall not fall on the ground without your Father.
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Lovely, Charles. It's in the little moments like this that one tastes the "real" Italy–and, as you yourself once said, you seem to be the only other expat I know who's living in the same country as I am. W.
It's all there is really, isn't it, Wendell? If you keep your eyes and ears open, that is.